SVOTS announces new music, liturgics faculty

July 22, 2016

“Our goal is to prepare newly ordained priests for the most challenging circumstances imaginable, and those certainly would include liturgically challenging situations,” remarked Archpriest Dr. John Behr, Dean of Saint Vladimir’s Orthodox Theological Seminary here. “That’s why we’re restructuring our music and liturgics courses for our Master of Divinity students—because we’re finding they sometimes end up in parishes with no deacon, no chanter, no choir director, and perhaps even, no choir!

“To meet such new challenges, the seminary has hired Matushka Robin Freeman as its new Director of Music, Harrison Russin as its new Lecturer in Liturgical Music, and Archpriest Dr. Eric G. Tosi as its new Assistant Professor of Liturgics,” Father John added. “All three will begin teaching at the start of the fall semester on August 29, 2016.”

A conductor and singer, Matushka Robin holds a Bachelors of Music in Voice Performance from Gordon College and a Masters of Music in Choral Conducting from Indiana University. She has worked with a wide range of choirs, including professional chamber choirs, church choirs, children’s choirs, community choirs, college choirs, and opera choruses. As a singer, she has travelled across North America, Europe and Asia performing a wide variety of repertoire that includes opera, chamber music, and jazz.

Matushka Robin joined the seminary’s faculty in 2012 as Lecturer in Liturgical Music, teaching courses in beginning and advanced conducting. She conducted the Saint Vladimir’s Seminary Chorale in three concert programs, two of which were presented in New York City. Under her direction, the Chorale also released two recordings with Saint Vladimir’s Seminary Press.

In addition to her work with the choirs of Saint Vladimir’s Seminary, she was engaged by the Princeton Festival, a multi-dimensional performing arts summer festival, for several seasons as Chorus Master, Assistant Conductor, and Assistant to the Artistic and General Director. In 2015, she served as the Chorus Master for the Festival’s production of Mozart’s Le Nozze di Figaro. She also has also served as the Director of Music at Holy Trinity Church, Yonkers, NY.

“I consider it a joy and a privilege to be a member of the music faculty at Saint Vladimir’s, which has a long and well-known history of musical excellence,” said Matushka Robin. “I want our ordained graduates to have the confidence to sing the liturgical services alone if necessary, and I want them to be competent enough to organize the music and to direct, for example, a small, struggling choir at a Vespers service — feedback from our alumni indicates they often face such circumstances in both mission and established parishes.”

Harrison Russin Harrison Russin
While acting as Lecturer in Liturgical Music as a Dean’s Fellow, Harrison Russin also will be completing his Ph.D. in Musicology at Duke University. “Although my doctoral dissertation is typically academic — it’s titled ‘The Polyphonic Credo, 1350–1500’ — my new assignment at the seminary will be hands-on and will deal with the nitty-gritty basics of liturgical choral singing,” he said. “I’ll be teaching one skills course per week and other musicology courses as my part-time ‘Dean’s Fellowship’ position allows, and I’ll be rehearsing the male choir weekly, as well as directing them both in our Chapel and on parish visitations. I’ll also direct other choral ensembles when necessary.”

Harrison was Saint Vladimir’s Seminary’s Class of 2013 Valedictorian. He earned his Bachelors of Arts in Music at Swarthmore College in 2009, and is the recipient of several scholarly awards, including the J. Fletcher Graduate Fellowship in Music from Duke University in 2015 and “The Promise of the Vatican Library,” a travel grant for Junior Scholars, from Notre Dame University and the Vatican Library in 2016.

“I am honored to return to Saint Vladimir’s to assist in musical ministry,” continued Mr. Russin. “The Seminary has, since its founding, been a leader in training church musicians and in publishing new and old music for the Church, and I look forward to helping to maintain the high standard that has already been achieved.”

Fr. Eric Tosi Fr. Eric Tosi
Also ensuring those high standards will be Father Eric Tosi, 1996 seminary alumnus and Secretary of the Orthodox Church in America since 2008. Father Eric will be training seminarians to celebrate the liturgical services with dignity and grace and will be imparting to them an understanding of the essential components of the services.

Father Eric earned his Doctor of Ministry degree from Trinity College at the University of Toronto, and his doctoral thesis was titled “Koinonic Evangelism: A Case Study of the Theology and Practice of Evangelism in Three Parishes of the Orthodox Church in America.” He has had experience as a pastor at Saint Nicholas of South Canaan Church, Billings, MT and Saint Paul the Apostle Church, Las Vegas, NV. Since 2013 he also has been the manager of the OCA’s Parish Mentorship Program at the seminary, which places senior seminarians under the mentorship of seasoned priests in local parishes.

“I am so very pleased to be joining the faculty of Saint Vladimir’s Seminary on a more permanent basis,” Father Eric remarked. “To be appointed to this position and to continue to train future clergy, following the footsteps of the great teachers who have taught here…well, this is an honor. I pray we faculty build upon their foundations and continue to provide the Church with quality leaders and clergy.”

See also
Journeying Up the Mountain: A Sacred Choral Music Workshop with Maestro Vladimir Gorbik Journeying Up the Mountain: A Sacred Choral Music Workshop with Maestro Vladimir Gorbik
Jesse Dominick, Isaac Crabtree
Journeying Up the Mountain: A Sacred Choral Music Workshop with Maestro Vladimir Gorbik Journeying Up the Mountain: A Sacred Choral Music Workshop with Maestro Vladimir Gorbik
An Interview with Isaac Crabtree
Jesse Dominick, Isaac Crabtree
"As I listened to us all singing Divine Liturgy with Vladimir Gorbik, on the feast of All Saints of Moscow, at the Podvoriye of Trinity-Sergius Lavra, surrounded by the holy fathers and the faithful, standing at the kliros before the icon of the holy Royal Passion-bearers, I remembered Maestro Gorbik’s mountain analogy from the beginning of our class. It occurred to me then that only as we reached the summit of this mountain was it revealed to be none other than Mount Tabor: 'Lord, it is good for us to be here.'”
"Where your treasure is, there your heart is." The state of Church singing in America
Jesse Dominick, Benedict Sheehan
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An interview with choirmaster Benedict Sheehan
Jesse Dominick, Benedict Sheehan
"I think if you really care then you’ll do something, you’ll do better, you’ll do really well if you really care. Christ said Where your treasure is there your heart is. If the liturgy in your church is sung poorly, or half-heartedly, or in a slovenly or disorderly manner, then your heart’s not there. It can’t be."
It sounds like there are angels in the buildings It sounds like there are angels in the buildings It sounds like there are angels in the buildings It sounds like there are angels in the buildings
Monks in Byzantium said it was the gently pulsing rhythms, uplifting melodies and resonating harmonies of liturgical chants floating through the corridors, sanctuaries and domes of their brick and stone churches. But in 2015, with advanced recording and acoustic measuring technology now available, what do we really mean by angelic sounds?
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